Link to new Melbourne Art Journal site
Melbourne Art Journal (MAJ) is an art history journal based in Melbourne. It is dedicated to publishing art historical research of the highest quality, from medieval to contemporary, European, Australian, and Asian. It has a particular interest in connections between Australia and Europe, including studies by art historians based in Australia and New Zealand writing on European topics, and topics in Australian and European art history that deal with the relationship between Australia and Europe.
A list of articles published in MAJ since 1997 is tabulated below.
The Melbourne Art Journal website has moved: it is now at http://melbourneartnetwork.com.au/melbourne-art-journal/
| Author | Title | Issue | Item | Pages | |||||
| Melbourne Art Journal, Issue 11-12, 2008-9. Europe and Australia. Edited by David R. Marshall | |||||||||
| 84 | Pullin, Ruth | The Vulkaneifel and Victoria’s Western District: Eugène von Guérard and the Geognostic Landscape | Issue 11/12 | 1 | pp. 6-50 | ||||
| 83 | Jordan, Caroline and Veronica Filmer | ‘Old Sayer’s Picture Gallery’: James Whitley Sayer, Founder of the Geelong Gallery | Issue 11/12 | 2 | pp. 34–49 | ||||
| 82 | Stocker, Mark | ‘Director of the Canoe’: The Auckland Statue of Sir George Grey | Issue 11/12 | 3 | pp. 50 | ||||
| 81 | Williams, Katti | Sublime Ruins: William Lucas Project for the Australian WWI War Memorial at Villers-Bretonneux, France | Issue 11/12 | 4 | pp. 64 | ||||
| 80 | Maskill, David | Imperial Lines: Harold Wright (1885–1961): Printmaking and Collecting at the End of Empire | Issue 11/12 | 5 | pp. 86 | ||||
| 79 | Pierse, Simon | Sir Kenneth Clark: Deus Ex Machina of Australian Art | Issue 11/12 | 6 | pp. 104–119 | ||||
| 78 | Read, Richard | Intra-Extra-Recto-Verso: Reversed Paintings and Ontological Realms | Issue 11/12 | 7 | pp. 120–135 | ||||
| 77 | Baker, Alex | It’s All About You: Generosity in the Art of Harrell Fletcher | Issue 11/12 | 8 | pp. 136–149 | ||||
| Melbourne Art Journal, Issue 9-10, 2006-7. Art, Site and Spectacle. Studies in Early Modern Visual Culture. Edited by David R. Marshall | |||||||||
| 76 | Marshall, David R. | Preface | Issue 9/10 | 1 | p. 7 | ||||
| 75 | Gaston, Robert W. | Introduction: Some Meditations on Space and Place in Recent Florentine Art History | Issue 9/10 | 2 | p. 8–13 | ||||
| 74 | Hudson, Hugh | Fra Angelico and Paolo Uccello in the Early Quattrocento | Issue 9/10 | 3 | pp. 14–33 | ||||
| 73 | Baker-Bates, Piers | Sebastiano del Piombo's Ubeda Pietà: Between Italy and Spain | Issue 9/10 | 4 | pp. 34–43 | ||||
| 72 | Wolfe, Karin | Francesco Trevisani and Landscape: Joseph Sold into Slavery in the National Gallery of Victoria | Issue 9/10 | 5 | pp. 44-61 | ||||
| 71 | Gaston, Robert W. | Untangling the Mannerist Narrative: Bronzino, Moses and Eleanora of Toledo in the Palazzo de' Signori, Florence | Issue 9/10 | 6 | pp. 62–77 | ||||
| 70 | Strunck, Christina | The Marvel Not Only of Rome, But of All Italy': The Galleria Colonna, Its Design History and Pictorial Programme 1661–1700 | Issue 9/10 | 7 | pp. 78–103 | ||||
| 69 | Witte, Arnold | Hermits in High Society: Private Retreats in Late Seicento Rome | Issue 9/10 | 8 | pp. 104–119 | ||||
| 68 | Marshall, David R. | Giovani Paolo Panini as Architectural Critic: The Competition for the Façade of S. Giovanni in Laterano in 1732 and the Quirinal Caffeaus | Issue 9/10 | 9 | pp. 120–142 | ||||
| 67 | Beaven, Lisa | Claude Lorrain's Harbour Scenes: Sun, Science and the Theatre in the Barberini Years | Issue 9/10 | 10 | pp. 144–162 | ||||
| 66 | Grant, Katrina | Teatri di Verzura: Hedge Theatres in Baroque Lucca | Issue 9/10 | 11 | pp. 162–175 | ||||
| 65 | Shepheard, Mark D. | Will the Real Boccherini Please Stand Up': New Light on an Eighteenth-Century Portrait in the National Gallery of Victoria | Issue 9/10 | 12 | pp. 176–197 | ||||
| 64 | Gott, Ted | It is Lovely to be a Gorilla, Sometimes': The Art and Influence of Emmanuel Frémiet, Gorilla Scuptor | Issue 9/10 | 13 | pp. 198–219 | ||||
| Melbourne Art Journal, Issue 8, 2005 | |||||||||
| 63 | Marshall, David R. | Editorial | Issue 8 | 1 | p. 3 | ||||
| 62 | Marshall, Christopher R. | The Spirit of Caesar in this Soul of a Woman': Artemisia Gentileschi and the Will to Succeed. 1629–1654 | Issue 8 | 2 | pp. 4-27 | ||||
| 61 | Neale, Anne | Land Labour and Gold: Eugen von Guérard or Edward La Trobe Bateman? | Issue 8 | 3 | pp. 28–41 | ||||
| 60 | Ebury, Frances | The Trail of the Title: Image and Text in Australian Pictorialist Photography | Issue 8 | 4 | pp. 42–51 | ||||
| 59 | Zdanowicz, Irena | Painting from the Inside Out: Fred Williams' Travels and His Reltionship to the European Tradition | Issue 8 | 5 | pp. 52–67 | ||||
| 58 | Den Hartog, Lesley | Chinese Gardens in Australia: Diasporic Gardens or Theme Parks? | Issue 8 | 6 | pp. 69–85 | ||||
| 57 | Anderson, Jaynie | Interrogating Joe Burke and His Legacy | Issue 8 | 7 | pp. 88–101 | ||||
| 56 | Palmer, Sheridan | Ursula Hoff and the German Tradition | Issue 8 | 8 | pp. 102–111 | ||||
| 55 | Holden, Colin | Insights from Ursula Hoff's Diarioes while Felton Bequest Adviser | Issue 8 | 9 | pp. 112–115 | ||||
| 54 | Monica Lausch | Franz Philipp and the Vienna School of Art History in Australia | Issue 8 | 10 | pp. 116–127 | ||||
| 53 | Various | Art History Theses at Universities in Melbourne Complete in 2003–2005 | Issue 8 | 11 | pp. 128–133 | ||||
| Melbourne Art Journal, Issue 7, 2004. 'The Italians' in Australia: Studies in Renaissance and Baroque Art. Edited by David R. Marshall | |||||||||
| 52 | Marshall, David R. | Preface | Issue 7 | 1 | pp. 9–12 | ||||
| 51 | Spear, Richard E. | What is an Original? | Issue 7 | 2 | pp. 15–32 | ||||
| 50 | Gregory, John | The Colour of Mannerism: Some Exploratory Observations, Focusing on Jacopo Bassano's Martyrdom of St Catherine | Issue 7 | 3 | pp. 33–40 | ||||
| 49 | Marshall, Christopher R. | Markets, Money and Artistic Manoeuvres: Reflections on Bernardo Cavalino and the Grand Manner | Issue 7 | 4 | pp. 41–48 | ||||
| 48 | Marshall, David R. | Carlevaris & Canaletto, Piranesi & Panini: The Paradoxes of the Serial Veduta | Issue 7 | 5 | pp. 49–66 | ||||
| 47 | Lucco, Mauro | Lorenzo Lotto and the Interpretation of Venetian Sixteenth-Century Portraits | Issue 7 | 6 | pp. 69–86 | ||||
| 46 | Anderson, Jaynie | Bittersweet Love. Giorgione's Portraits of Masculine Friendship | Issue 7 | 7 | pp. 87–94 | ||||
| 45 | Beaven, Lisa | Bernini's Last Papal Portrait and its Audience: The Statue of Pope Clement X Altieri | Issue 7 | 8 | pp. 95–106 | ||||
| 44 | Hill, Michael | The Informality of Bacicio's Portrait of Cardinal Spinola | Issue 7 | 9 | pp. 107–114 | ||||
| 43 | Marshall, Louise | Luxury and Pathos in Romanino's Christ Carrying the Cross | Issue 7 | 10 | pp. 131–144 | ||||
| 42 | Russell, Susan | Annibale Carracci's St Margaret and the Single-Figure Altarpiece Around 1600 | Issue 7 | 11 | pp. 145–152 | ||||
| 41 | Gaston, Robert W. | The Rhetoric of Atrocity: Guercino's Martyrdom of St Lawrence in Lugano | Issue 7 | 12 | pp. 153–166 | ||||
| 40 | Gaston, Vivien | Virile Cittadino: Rosso Fiorentino's Moses Defending the Daughters of Jethro | Issue 7 | 13 | pp. 169–178 | ||||
| 39 | Zika, Charles | The Corsini Witchcraft Scene by Salvator Rosa: Magic, Violence and Death | Issue 7 | 14 | pp. 179–190 | ||||
| 38 | Morgan, Luke | Guercino's Et in Arcadia Ego and Eighteenth-Century Landscape Design | Issue 7 | 15 | pp. 191–196 | ||||
| Melbourne Art Journal, Issue 6 2003 | |||||||||
| 37 | Marshall, David R. and Gaston, Robert W. | Editorial | Issue 6 | 1 | pp. 3-4 | ||||
| 36 | Morgan, Nigel | Gendered Devotions and Social Rituals: The Aspremont Psalter-'Hours' and the Image of the Patron in Late Thirteenth and Early Fourteenth-Century France | Issue 6 | 2 | pp. 5–24 | ||||
| 35 | Spinks, Jennifer | Education and Entertainment: The Redecoration of Marie-Adélaïde of Savoy's Ménagerie at Versailles | Issue 6 | 3 | pp. 25–34 | ||||
| 34 | Marshall, David R. | Carnevale, Conversazione and Villeggiatura: Villa Life in the Eighteenth Century | Issue 6 | 4 | pp. 35–64 | ||||
| 33 | Russell, Susan | Herman van Swanevelt's Landscape Prints in the Tom Roberts Album at the Art Gallery of New South Wales | Issue 6 | 5 | pp. 65–76 | ||||
| 32 | Galbally, Ann | Art, Art Nouveau and Anti-Art: Charles Conder and the Aesthetics of the 1890s | Issue 6 | 6 | pp. 77–92 | ||||
| 31 | Stocker, Mark | Pakeha Praxiteles: The Sculpture of Margaret Butler | Issue 6 | 7 | pp. 93–106 | ||||
| 30 | Various | Art History Theses at Universities in Melbourne completed in 2001–2003 | Issue 6 | 8 | pp. 107–115 | ||||
| Melbourne Art Journal, Issue 5, 2001/2 | |||||||||
| 29 | Marshall, David R. | Editorial: The Italians Exhibition | Issue 5 | 1 | pp. 3–4 | ||||
| 28 | Lloyd, Joan Barclay | Mary, Queen of the Angels: Byzantine and Roman Images of the Virgin and Child Enthroned with Attendant Angels | Issue 5 | 2 | pp. 5–24 | ||||
| 27 | Inglis, Alison | The Queen of the South': Archaeology and Empire in Edward J. Poynter's The Visit of the Queen of Sheba to King Solomon | Issue 5 | 3 | pp. 25–40 | ||||
| 26 | Savill, Merilyn | The Triple Portrait of Piere Bernard, Gérard Edelinck and Nicolas de Lagillière and the Debate in the French Academy in 1686 over the Status of Engravers | Issue 5 | 4 | pp. 41–52 | ||||
| 25 | Paffen, Paul | A Grand Illusion: Benjamin Duterrau and The Conciliation | Issue 5 | 5 | pp. 53–70 | ||||
| 24 | Rosario, Iva | Josef Kucik's Sgraffito Murals in the Church of the Holy Trinity, New Norcia | Issue 5 | 6 | pp. 71–82 | ||||
| 23 | Various | Art History Theses at Universities in Melbourne completed in 2000 | Issue 5 | 7.00 | pp. 83–87 | ||||
| Melbourne Art Journal, Issue 4, 2000 | |||||||||
| 22 | Marshall, David R. | Editorial | Issue 4 | 2 | pp. 3 | ||||
| 21 | Eichberger, Dagmar | A Renaisance Princess named Margaret: Fashioning a Public Image in a Courtly Society | Issue 4 | 3 | pp. 4–24 | ||||
| 20 | Sobchack, Vivien | What is Film History? Or the Riddle of the Sphinxes | Issue 4 | 4 | pp. 25–36 | ||||
| 19 | McDonald, Mark P. | Pedro Perret and Pedro de Villafranca: Printmakers to the Spanish Hapsburgs | Issue 4 | 5 | pp. 37–51 | ||||
| 18 | Eckfeld, Tonia | The Virtuous Wife: The Mural Decoration in the Tang Dynasty Tomb of Crown Prince Li Xian | Issue 4 | 6 | pp. 52–63 | ||||
| 17 | Various | Art History Theses at Universities in Melbourne completed in 1999 | Issue 4 | 1 | pp. 64–71 | ||||
| Melbourne Art Journal, Issue 3, 1999 | |||||||||
| 16 | Eichberger, Dagmar | Ursula Hoff: A Tribute | Issue 3 | 1 | pp. 3–4 | ||||
| 15 | Weil, Stephen | When the Audience takes Stage Centre | Issue 3 | 2 | pp. 5–13 | ||||
| 14 | Russell, Susan | Virtuous Women: The Decoration of Donna Olimpia Pamphilij's Audience Room in the Palazzo Pamphilj in Piazza Navona | Issue 3 | 3 | pp. 14–24 | ||||
| 13 | Beaven, Lisa | Camillo Massimo as Patron of Sculptors: François Duquesnot, Alessandro Algardi, Francesco Fontana and Cosimo Fancelli | Issue 3 | 4 | pp. 25–36 | ||||
| 12 | Inglis, Alison | Painting for Eternity': Edward Poynter and the 'Kensington Valhalla' | Issue 3 | 5 | pp.37-54 | ||||
| 11 | Various | Art History Theses at Universities in Melbourne completed in 1997–1998 | Issue 3 | 6 | pp. 55–62 | ||||
| Melbourne Art Journal, Issue 2, 1998 | |||||||||
| 10 | Marshall, David R. | Editorial | Issue 2 | 1 | p. 3 | ||||
| 9 | Creed, Barbara | Modernity and Misogyny: Film and the Public Erotic | Issue 2 | 2 | pp. 4–14 | ||||
| 8 | McDonald, Mark P. | A Drawing by Antonio del Castillo y Saavedra in the British Museum | Issue 2 | 3 | pp. 15–22 | ||||
| 7 | Dwyer, Jillian | The Lone Hand Case: The Critical Response to Bernard Hall's Sleep in New Zealand | Issue 2 | 4 | pp. 23–32 | ||||
| 6 | Lloyd, Joan Barclay | The Architecture of the Church of the Immaculate Conception, Hawthorn | Issue 2 | 5 | pp. 33–46 | ||||
| Melbourne Art Journal, Issue 1, 1997 | |||||||||
| 5 | Marshall, David R. | Editorial | Issue 1 | 1 | p. 1 | ||||
| 4 | Gillman, Derek | The Export of National Treasures: Reasonable or Treasonable? | Issue 1 | 2 | pp. 2–16 | ||||
| 3 | Wootton, Astrid | On Circe's Island: Subversive Power Relationships in a Painting by Sinibaldo Scorza | Issue 1 | 3 | pp. 17–24 | ||||
| 2 | Leach, Alison | Bellotto's Forum Romanum in the National Gallery of Victoria Reconsidered | Issue 1 | 4 | p. 25–31 | ||||
| 1 | Dynan, Catherine | The 1899 Design for Flinders Street Station: James Fawcett, Henry Ashworth and the Arts and Crafts Movement | Issue 1 | 5 | pp. 32–42 | ||||